Presented here is a selection of published and unpublished art historical writings by Beth E. Wilson, amanuensis to Mère Ubu.
This article began its life as a paper presented at the symposium "The Business of War Photography: Producing and Consuming Images of Conflict," held at the Durham University and Durham Light Infantry Museum & Durham Art Gallery, UK, 31 July to 1 August 2014. It was subsequently re-edited and expanded for publication in the Journal of War & Culture Studies, Vol. 9 No. 2, May, 2016, 133–150.
This essay was published as part of the exhibition catalogue for Monet in Giverny: Landscapes of Reflection, curated by Benedict Leca, which appeared at the Cincinnati Art Museum from February 04 - May 13, 2012.